All the oil paintings of Walter Sickert

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ID	Image	Painting(From A to Z)	Details
28194		Aubrey Beardsley	1894 Oil on canvas 76.1 x 31 cm (30 x 12 1/4 in) Tate Gallery London (mk63)
23068		Bathers-Dieppe (nn02)	c.1902 Oil on canvas 51 3/4x41 1/8"
3843		Cicely Hey	1922-23 25.25" x 30.25" The British Council
3841		Ennui	c1913 Tate Gallery, London
23070		Gatti's Hungerford Palace of Varieties Second Turn of Katie Lawrence (nn02)	c.1887-1888 Oil on canvas mounted on hardboard 33 1/4x39 1/8"
28468		Gatti's Hungerford Palace of Varieties:Second Turn of Katie Lawrence	c 1887-8 Oil on canvas mounted on board 84.4 x 99.3 cm (33 1/4 x 39 1/8 in) Art Gallery of New South Wales Sydney (mk63)
28193		George Moore	1891 Oil on canvas 60.3 x 50.2 cm (23 3/4 x 19 3/4 in) Tate Gallery London (mk63)
60791		Henry Tonks.	Henry Tonks. Sodales: Mr Steer and Mr Sickert, 1930.
3832		Interior of St Mark's, Venice	1896 27 1/2" x 19 3/8" Tate Gallery, London
3839		Jack Ashore	1911 13" x 16" Private Collection
3846		King George V and Queen Mary	c1935 24.5" x 29.75" Private Collection
3836		La Giuseppina	1903-04 19" x 14.5" Private Collection
53938		La Hollandais	mk234 1906 50x40cm
3837		La Hollandaise	1905 20" x 16" Private Collection
3845		Lazurus Breaks His Fast	1927 30" x 25" Private Collection
27105		Self-Portrait	mk52 1907 Watercolour and pastel on paper 75.3x60cm
3831		St Mark's Cathedral, Venice	c1896 25" x 19" Private Collection
3838		The Juvenile Lead	1908 20" x 18" The Southampton Art Gallery, UK
3842		The New Bedford	1915 30" x 15" The Tate Gallery, London
3840		The New Home	c1912 20" x 16" Private Collection
3833		The Old Bedford	1897 30" x 23.75" The Walker Art Gallery, Liverpool
3834		The Quai Duquesne and the Rue Notre Dame, Dieppe	1900 22" x 18.25" Private Collection
3835		The Statue of Duquesne, Dieppe	1902 51.5" x 39.75" The City Art Gallery, Manchester
3844		Victor Lecour	1922-24 32" x 23.75" The City Art Gallery, Manchester
60790		Walter Sickert, The Camden Town Murder, originally titled,	Walter Sickert, The Camden Town Murder, originally titled, What Shall We Do for the Rent?,[5], alternatively, What Shall We Do to Pay the Rent,[6] 1908 (detail)

Walter Sickert
German 1860-1942 Walter Sickert Gallery Walter Richard Sickert (May 31, 1860 in Munich, Germany ?C January 22, 1942 in Bath, England) was a German-born English Impressionist painter. Sickert was a cosmopolitan and eccentric who favoured ordinary people and urban scenes as his subjects He developed a personal version of Impressionism, favouring sombre colouration. Following Degas' advice, Sickert painted in the studio, working from drawings and memory as an escape from "the tyranny of nature".[3] Sickert's earliest major works were portrayals of scenes in London music halls, often depicted from complex and ambiguous points of view, so that the spatial relationship between the audience, performer and orchestra becomes confused, as figures gesture into space and others are reflected in mirrors. The isolated rhetorical gestures of singers and actors seem to reach out to no-one in particular, and audience members are portrayed stretching and peering to see things that lie beyond the visible space. This theme of confused or failed communication between people appears frequently in his art. By emphasising the patterns of wallpaper and architectural decorations, Sickert created abstract decorative arabesques and flattened the three-dimensional space. His music hall pictures, like Degas' paintings of dancers and caf??-concert entertainers, connect the artificiality of art itself to the conventions of theatrical performance and painted backdrops. Many of these works were exhibited at the New English Art Club, a group of French-influenced realist artists with which Sickert was associated. At this period Sickert spent much of his time in France, especially in Dieppe where his mistress, and possibly his illegitimate son, lived